surround_sound ACOUSTIC SUBWOOFER CALCULATOR

Subwoofer Array Spacing & Cardioid Delay Calculator

Calculate physical driver spacing, end-fire delay offsets, and quarter-wavelength cancellation boundaries for cardioid subwoofer arrays and broadside ground stacks.

Acoustic Subwoofer Geometry Calculator

QUARTER-WAVE PHYSICS

Quarter-Wave Spacing (λ/4)

1.36m

Acoustic Delay Offset (Δt)

3.97ms

Max Spacing Limit (λ/2)

2.73m

Speed of Sound (c)

343.4m/s

surround_sound How Cardioid Subwoofer Cancellation Cleans Up Live Stages

Because low frequencies (30 Hz to 100 Hz) have long acoustic wavelengths (spanning 3 to 11 meters), individual subwoofer enclosures radiate sound omnidirectionally—sending just as much low-end energy backward onto the stage as forward into the crowd. This stage bleed washes out vocal clarity, triggers low-frequency feedback through open stage mics, and overwhelms musicians on stage.

Acoustic Displacement & Electronic Delay Summation

In an End-Fire Array or Inverted Cardioid Stack, subwoofers are positioned with deliberate physical front-to-back spacing (typically one-quarter wavelength of the target frequency) and delayed electronically. Moving toward the audience, the physical travel time and electronic delay sync up perfectly, producing powerful forward summation (+3 to +6 dB). Toward the rear stage, the arrivals meet 180 degrees out of phase, creating deep cancellation (-15 to -25 dB rejection) and leaving the stage quiet and punchy.

Accurate physical placement is critical: even a few inches of placement error on stage will shift the phase cancellation notch, degrading rear rejection and spilling muddy bass back onto your performers.

warning Real-World Venue Realities & Manufacturer Presets

While mathematical calculations provide the essential spatial baseline, real-world cardioid arrays are affected by enclosure acoustics:

help Frequently Asked Questions

How does a broadside horizontal sub array eliminate 'power alley' comb filtering?
When subwoofers are split into left and right stage stacks, their sound waves collide and create alternating comb-filtering nulls and loud zones (the 'power alley') across the venue. Arranging subwoofers in a continuous horizontal broadside array across the stage lip spaced under half a wavelength creates a single coherent line source, delivering smooth, uniform bass across the entire audience.
At what frequency should I tune my cardioid rear cancellation?
Most touring sound engineers tune cardioid cancellation between 63 Hz and 80 Hz. This frequency zone is where sub-bass bleed most aggressively contaminates open vocal microphones, drum vocal spill, and acoustic stage instruments.
Why do manufacturer presets require physical cabinet spacing verification?
Factory DSP presets (from d&b, L-Acoustics, Meyer Sound) depend on precise physical geometry. Even though internal digital all-pass filters handle phase alignment, cabinets must still be positioned at exact physical distances for destructive acoustic interference to cancel sound off the stage.

Design Coherent Sub Arrays Anywhere

Download SoundEngg on iOS and Android for complete offline acoustic calculation and stage system alignment.